A few examples of appraisal values for
RED GLASS PLATE

• Large Pair of French Art Deco Wrought-Iron
  Large Pair of French Art Deco Wrought-Iron Two-Light Girandole Looking Glasses, second quarter 20th century, the mirrored glass plates divided into nine section by the cast-iron mullions with wrought-iron flowerheads at each crossing, with two floriform candlesockets on scrolling arms at the basal edges, both examples in dark matte verdigris-painted finish
• Pair of Italian Carved Giltwood Looking
  Pair of Italian Carved Giltwood Looking Glasses, of cartouche form in the 18th-century Venetian rococo style, fitted with mirrored glass plates, h. 27-1/2\", w. 16\".
• English Carved Giltwood Looking Glass,
  English Carved Giltwood Looking Glass, in the George I style, the arched and winged crest rail centered with a stylized feather spray, the basal rail centered with an upright gilded scallop shell, the frame and mirrored glass plate tastefully antiqued throughout, h. 45\", w. 28-1/2\".
• French Gilded Brass and Mirrored Plateau,
  French Gilded Brass and Mirrored Plateau, of lobed cartouche form in Lily decor, the mirrored glass plate in antiqued gold and backed in black corded velvet, h. 24\", w. 16\".
• George VI Carved Giltwood and Gilded
  George VI Carved Giltwood and Gilded Wrought-Iron Three-Light Girandole Scone, in the style of Robert Adam (English, 1728-1792), second quarter 20th century, the fixture centered with an oval mirrored glass plate surmounted by an upright giltwood flambeau, h. 35-1/2\", w. 13\".
• GILT BRASS & CUT CRYSTAL TANTALUS SETDESCRIPTION:
  GILT BRASS & CUT CRYSTAL TANTALUS SETDESCRIPTION: An ornate gilt brass and cut crystal tantus set. Opens to reveal a mirrored glass plate with six fitted glasses. Finished on a dolphin motif supports and beast footed base. CIRCA: 20th Cent, ORIGIN: European DIMENSIONS: H: 17.5" W: 12" (Cup: 2.25" x 2") CONDITION: Great condition. See lot description for details on item condition. More detailed condition requests can be obtained via email (info@akibaantiques.com) or SMS 305-332-9274. Any condition statement given, as a courtesy to a client, is only an opinion and should not be treated as a statement of fact. Akiba Antiques shall have no responsibility for any error or omission.
• ENGLISH ARTS & CRAFTS TOILET MIRROR,
  ENGLISH ARTS & CRAFTS TOILET MIRROR, CIRCA 1900 oak, with mirrored glass plate70cm wide, 54.5cm high, 25cm deep
• HEAL & SON, LONDON DRESSING CHEST, CIRCA
  HEAL & SON, LONDON DRESSING CHEST, CIRCA 1930 limed oak, mirrored glass plate, bears maker's ivorine label to drawer edge91.5cm wide, 139cm high, 48cm deep
• SCOTTISH ART NOUVEAU WALL MIRROR, CIRCA
  SCOTTISH ART NOUVEAU WALL MIRROR, CIRCA 1900 carved oak, mirrored glass plate104.5cm x 103cm
• ENGLISH, MANNER OF WALTER CRANE ARTS
  ENGLISH, MANNER OF WALTER CRANE ARTS & CRAFTS WALL MIRROR, CIRCA 1900 repoussé-decorated brass, mirrored glass plate, oak frame53.2cm x 77.2cm
• ATTRIBUTED TO BRUCE J. TALBERT (1838-1881) AESTHETIC
  ATTRIBUTED TO BRUCE J. TALBERT (1838-1881) AESTHETIC MOVEMENT WALL MIRROR, CIRCA 1880 ebonised wood, pierced and embossed brass, mirrored glass plates161cm x 111cm
• LARGE VICTORIAN EBONIZED OAK PIER MIRROR
  LARGE VICTORIAN EBONIZED OAK PIER MIRROR Late 19th c., England or Holland, the molded light oak frame edged in dark stained Dutch molding surrounding a large silvered glass plate, pine paneled back, approx. 96"h x 44"w
• LOUIS XV STYLE CARVED GILT WOOD MIRROR
  LOUIS XV STYLE CARVED GILT WOOD MIRROR LOUIS XV STYLE CARVED GILT WOOD MIRROR HAVING TOP MOLDING OF SERPENTINE FORM WITH CENTER ROCOCO SHELL MOTIF OVER A RECTANGULAR MIRRORED GLASS PLATE WITH FLANKING ANCANTHUS "C" SCROLLS, 19TH C.; 75"H X 45"W
• LOUIS XV STYLE GILT BRONZE LANTERNCirca
  LOUIS XV STYLE GILT BRONZE LANTERNCirca 1900. Four sided with chamfered glass plates, the pendant with four lights. Electrified. Height 27 in. Width square 10 in.
• ATTR. MOSER, TEN ENAMEL & RUBY RED GLASS
  ATTR. MOSER, TEN ENAMEL & RUBY RED GLASS PLATESAttributed to Moser, set of 10 Bohemian ruby glass plate, the border decorated with enamel in gilt and silver. Approx diameter 10.75 in.
• COTSWOLD SCHOOL MIRROR, CIRCA 1930 walnut,
  COTSWOLD SCHOOL MIRROR, CIRCA 1930 walnut, with mirrored glass plate39.2cm (15 1/2in) high, 55cm (22in) wide
• KATE HARRIS (BRITISH 1878-1949) FOR
  KATE HARRIS (BRITISH 1878-1949) FOR WILLIAM HUTTON & SONS LTD. ART NOUVEAU DRESSING SET, 1903-1908 silver, comprising a HAND MIRROR, with a mirrored glass plate, inscribed 'O. E. Y. from a. e. J./ 9-10-08', hallmarked Birmingham 1908, 29.2cm (11 1/2in) long; a HAIR BRUSH, hallmarked London 1903, stamped 'RD 347101', 24.8cm (9 3/4in) long; a CLOTHES BRUSH, indistinct hallmarks, 9cm (7 1/2in) long; a POWDER BOX, inscribed 'Olive Eileen/ 9th Oct 1904', stamped 'RD 352424', cover with indistinct hallmarks, base hallmarked London 1904, 6.5cm (2 1/2in) high; and a TRAY, inscribed 'Olive E. Yardley/ 9th Oct 1907/ from A. L. Thompson', hallmarked (twice) London 1904, 30.5cm (12in) long(5)
• BRITISH ART DECO STYLE WALL MIRROR,
  BRITISH ART DECO STYLE WALL MIRROR, MODERN patinated brass, oak and mirrored glass plate154.5cm x 107cmProvenance: From The Millinery Works Collection.
• SIR FRANK BRANGWYN (1867-1956) FOR E.
  SIR FRANK BRANGWYN (1867-1956) FOR E. POLLARD AND CO LTD., LONDON ARTS & CRAFTS DRESSING CHEST, CIRCA 1910 oak, with mirrored glass plate, bears makers label to front edge76cm wide, 139cm high, 53cm deepProvenance: From The Millinery Works Collection.
• SYRIE MAUGHAM (1879-1955) (ATTRIBUTED
  SYRIE MAUGHAM (1879-1955) (ATTRIBUTED DESIGNER) WALL MIRROR, CIRCA 1937 painted and silvered wood and moulded gesso frame, mirrored glass plates, bears ivorine label verso DANIELL 42-44-46 WIGMORE STREET LONDON167cm x 94.5cmProvenance: By repute, purchased from Syrie Maugham in London by the vendor's mother in law as a wedding present in 1937Literature: Metcalf, P.C. Syrie Maugham: Staging the Glamorous Interior, Acanthus 2010, p.107Note: Syrie Maugham was the leading British interior designer in the 1920s and 1930s. She is best known for being the first to decorate her drawing room white in its totality and for her stellar client list which included Margaret, Duchess of Argyll, Wallis Simpson, Elsa Schiaparelli, Edward James and Stephen Tennant amongst many others. Maugham opened her first shop in Baker Street, London in 1922. As it thrived, she began decorating, taking on projects in Palm Beach and California and adding shops in New York and Chicago. The current lot, with its design origins in the 18th century and white craquelure paint finish, is typical of Maugham’s aesthetic style.
• ARTHUR W. SIMPSON (1857-1922), KENDAL ARTS
  ARTHUR W. SIMPSON (1857-1922), KENDAL ARTS & CRAFTS WALL MIRROR, CIRCA 1920 oak, mirrored glass plate, bears label verso, ARTHUR W. SIMPSON/ THE HANDICRAFTS/ KENDAL 52cm wide, 122cm high, 5cm deep
• AMBROSE HEAL (1872-1959) FOR HEAL &
  AMBROSE HEAL (1872-1959) FOR HEAL & SON, LONDON ARTS & CRAFTS 'ST. IVES' WARDROBE, CIRCA 1898 oak, lacquered steel fittings with mirrored glass plate, stamped twice HEAL & SON, TOTTENHAM COURT ROAD LONDON128cm wide, 190cm high, 61cm deepLiterature: Heal, Oliver S. Sir Ambrose Heal and the Heal Cabinet Factory 1897-1939, Unicorn 2014, p.150-151 where a similar example is illustrated.Note: Three suites of bedroom furniture, manufactured by the Guild of Handicraft to Ambrose Heal's designs ('216' Newlyn in fumed oak, '217' Bushey in mahogany and '222' St Ives in fumed oak - also available in ash stained green), were put on display in Tottenham Court Road in 1897. The St Ives suite, made up of a 3ft 6 in wardrobe, a 3 ft 6 in toilet table, a 3 ft washstand and two chairs (made by Cox), sold for £19 19s and proved an instant success as the first suite was sold in April and by the end of the year, sixteen complete suites had been sold in oak with a further five in green ash.
• AMBROSE HEAL (1872-1959) FOR HEAL &
  AMBROSE HEAL (1872-1959) FOR HEAL & SON, LONDON ARTS & CRAFTS WARDROBE, CIRCA 1900 oak, with iron fittings and mirrored glass plate, applied oval metal label HEAL & SON/ 196/ TOTTENHAM CT/ LONDON167cm wide, 202.5cm high, 58.3cm deep
• AMBROSE HEAL (1872-1959) FOR HEAL &
  AMBROSE HEAL (1872-1959) FOR HEAL & SON, LONDON ARTS & CRAFTS '347' DRESSING TABLE CIRCA 1902 oak, with brass fittings and chequered inlay, mirrored glass plate106.5cm wide, 140cm high, 53cm deepLiterature:Heal, Oliver S. Sir Ambrose Heal and the Heal Cabinet Factory 1897-1939, Unicorn 2014, p.163 where a similar example is illustrated.
• SCOTTISH, MANNER OF MARGARET GILMOUR WALL
  SCOTTISH, MANNER OF MARGARET GILMOUR WALL MIRROR, CIRCA 1910 repoussé decorated brass, with mirrored glass plate76.5cm x 42cm
• ENGLISH ARTS & CRAFTS MIRROR, CIRCA
  ENGLISH ARTS & CRAFTS MIRROR, CIRCA 1900 copper, set with four enamel roundels and a mirrored glass plate73cm x 38.5cm
• ENGLISH ARTS & CRAFTS WALL MIRROR, CIRCA
  ENGLISH ARTS & CRAFTS WALL MIRROR, CIRCA 1900 chased and repoussé-decorated copper, ceramic panels, mirrored glass plate64cm x 92.5cmProvenance: Liberty & Co., London
• American Silverplate and Mirrored Glass
  American Silverplate and Mirrored Glass Plateau, first quarter 20th century, of decagonal form, the edge of the mirrored plate scallop-cut throughout, w. 18-1/2".
• Attractive Empire Gilt-Brass-Mounted
  Attractive Empire Gilt-Brass-Mounted Mahogany Paw-Footed Firescreen, first quarter 19th century, the screen swing-panel fitted with a mirrored glass plate, h. 39-1/2", w. 21", d. 17".
• French Gilt-Lacquered Brass and Mirrored
  French Gilt-Lacquered Brass and Mirrored Glass Plateau, first quarter 20th century, of footed circular form in the Louis XVI taste, dia. 12".
• Pair of English Brass and Cast-Iron
  Pair of English Brass and Cast-Iron Two-Light Girandole Sconces, fourth quarter 19th century, in the Japonesque taste, the upright oblong backplates centered with period beveled mirrored glass plates, the basal edges fitted with a pair of candlesockets, h. 19", w. 10", d. 3-1/4".
• Large Pair of George V Carved Giltwood
  Large Pair of George V Carved Giltwood and Gilded Wrought-Iron Two-Light Sconces, first quarter 20th century, in the style of Robert Adam (English, 1728-1792), each centered with a circular mirrored glass plate surmounted by a carved giltwood displayed eagle, the scrolling candlearms fitted with faux candles and electrified, h. 38", w. 15-1/2", d. 9".
• French Gilt-Brass, Ebonized Mahogany
  French Gilt-Brass, Ebonized Mahogany and Mirrored Glass Plateau, second quarter 20th century, with incurvate corners in the Louis XVI taste, w. 13-1/4", l. 20-1/4".
• Pair of Brass-Mounted Mahogany Columnar
  Pair of Brass-Mounted Mahogany Columnar Salon Vitrines, first quarter 20th century, in the Transitional style, the outer glazing convex throughout, the interior fitted with a basal mirrored glass plate and a pair of conforming plate glass shelves, h. 55-1/4", dia. 23".
• Italian Carved, Blanc-de-Trianon-Painted
  Italian Carved, Blanc-de-Trianon-Painted and Parcel-Gilt Beechwood "Banjo" Clock Case, third quarter 20th century, in the Louis XVI style, now fitted with a convex mirrored glass plate, the case surmounted by a carved giltwood displayed eagle surmounting a draped Ionic pilaster, the convex looking glass plate surmounted by a furling carved giltwood ribbon, h. 37", dia. 14".
• Pair of English Gilt-Lacquered Brass
  Pair of English Gilt-Lacquered Brass Easel-Back Frames, in the rococo taste, third quarter 19th century, each now fitted with a later oval mirrored glass plate, h. 11", w. 7".